Sharon Crowley (pages 333-346)
The Evolution of Invention in Current-Traditional Rhetoric:
1850-1970
Sharon Crowley’s research into the evolution of invention
intensely focuses on the ideas of H.N. Day and John Franklin Genung. Day
formulates a process that there must be a proposition that unites with the
writer, and then the writer can analyze the topic if there is a solid
proposition (335). Whereas Genung’s invention
seems more in-depth or an expanded version of Day’s that “involves preparation,
deducing a theme from a subject, stating the theme, creating a title, planning,
and amplification” (337). I found the
various “steps” for producing writing as a good history lesson, even if it is a
bit repetitive, but the most interesting section lies in the “Conclusions and a
Rant” that ties all of these past inventions into what the present holds for
teaching composition. There are a few
comments from the last section that I would like to highlight and discuss.
Crowley states that “Language literally re-presents thought,
which in turn represents the author’s perception of reality” (343). I love this idea and hate it at the same
time. This quote makes complete sense
when you think about writing. What is
composition? When we write, we are “re-presenting”
ideas and thoughts studied in order to express what that means to us. An “author’s perception of reality” can be the
tricky part that disheartens me as a teacher.
I struggle with thoughts about assessing students’ writings and their “perceptions
of reality.” I might grade a paper
differently than another instructor, and I think about how all of our
perceptions are different—from student to student, instructor to instructor,
student to instructor, etc. Composition
is difficult to be black and white (not that it has to be black and white) when
there are so many “gray” areas involved with thoughts and reality.
The last paragraph discusses the typical five-paragraph
essay formula used as a template to teach the writing process. I can most likely say that we all are not too
fond of this template. As Crowley even criticizes
that “we are teaching students a writing process and a set of assumptions about
discourse which have nothing to do either with how writing gets done or with
contemporary thinking about the relation of language to thought” (344). If we teach students a formula or template
for all writing processes, they will not have thought process that writing is
really all about. That probably sounds
confusing, but students and writers have to think and formulate thoughts before
they can write. If we all follow a
systematic process as if punching numbers into a calculator for an answer, then
we lose the originality and joy of the thought process involved with
writing.
I think there is still a lot of work to be done with how we
teach composition. I am always searching
for new ideas, answers, and questions.
Writing is complicated, but we must continue to seek out new methods and
ways to teach this important skill (and yes, I am using the word skill here). Sometimes I think about how writers must
learn the “rules,” so that they can turn around and break them.
How would you summarize the difference between how Day and his contemporaries framed invention and how the contemporary current-traditionalists do? What changed?
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